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Bright, lively, and colorful, this Love of Mermaid Shoulder Bag by Josephine Wall is an accessory for the woman who loves not only an explosion of color and style, but also likes her handy shoulder bag to feature a distinctive fantasy style. This shoulder bag features, on its front, the artwork of Josephine Wall, depicting a touching scene between a mermaid and a man, as they dance underneath the waves. The man has a somewhat faded appearance, especially towards his legs, while the mermaid is as vibrant as the sea-scape around her, featuring green scales, blue-hued skin, and hair that shimmers in the same colors as the coral reef that surrounds them. The bag is made entirely from polyester fibers, and it features an interior zippered pocket for keeping everything contained within safe and secure. The bag also features a convenient cell phone pouch for keeping your phone (or any like-sized items) ready and on-hand. The bag measures approximately 9.5 inches tall and 9 inches wide, and it features an adjustable shoulder strap for comfortable wearing. The Love of Mermaid Shoulder Bag by Josephine Wall is simple only in use, as its appearance is a rich and complex array of colors that creates an impressive design that will leave other speechless as well as curious (about where you got such a striking hand bag).

About the Artist:

Josephine was born in Farnham, Surrey, England in 1947. Educated at Farnham and Parkstone Grammar Schools, her family moved to Poole, Dorset when she was 14. Her paintings are mainly fantasies, influenced and inspired by the illustrative talents of Arthur Rackam, the surrealism of artists such as Magritte and Dali, and the romanticism of the pre-Raphaelites, which combined with her own imaginative ideas, has led to a wide and varied range of work. Josephine is also an accomplished sculptor and has created a number of unique figurines. Using natural stone found locally, various modeling materials and semi-precious stones, she creates models that once painted, challenge the viewer to find where the stone ends and the figure begins. An increasing demand for character windows, led her to experiment in this field using self-adhesive lead and vitreous paint, to reproduce traditional lead-lights and many of her own designs. Due to her individualistic, textured use of acrylic medium, she has been invited to demonstrate and lecture to local art circles. Whilst her work has always covered a wide range of subjects, since moving into the world print market, she has produced works with a distinct ethnic flavor and images of many favorite stories and fables. Her fantasy work remains most popular, many containing hidden images or faces, which has become a trademark.

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